![]() He began his collaboration with the Coen. Deakins' first feature film in America as cinematographer was Mountains of the Moon (1990). He is a member of both the American and British Society of Cinematographers. ![]() ![]() His podcast with his wife, James Deakins, is one of the most revealing looks at behind-the-camera film work. Roger Deakins is an English cinematographer best known for his work on the films of the Coen brothers, Sam Mendes, and Denis Villeneuve. Even Deakins agrees it should be on Criterion. FILE - Cinematographer Roger Deakins appears at the premiere of Empire of Light during the 2022 London Film Festival on Oct. from the touch and consultation of legendary cinematographer Roger Deakins. While that may be true, his images are instantly recognizable. Villanelles use of the safe-word and the true reasoning behind her saying. This remains one of the most stunning movies ever made, and stands as Deakins’ best work to date. R oger Deakins doesn’t believe his cinematography has a style. And then there’s the way Deakins frames James, as someone who’s both larger than life but also almost alien-a man torn between his public persona and his private yearning. It’s a Western to be sure, and Deakins gives us some of the most stunning vistas we’ve ever seen onscreen, but in keeping with the dreamlike quality of the film the sky always feels a bit off. I know that might be controversial because a film like SPR is considered a classic, and while it does have some amazing production and technical achievements the story itself feels it is showing war as a place to become a. But what Dominik made couldn’t be undone, and indeed The Assassination of Jesse James is no thriller, it’s a contemplative, dreamlike meditation on celebrity and loneliness, chronicled in painterly fashion by Roger Deakins. Films like Saving Private Ryan or Fury seem more like jingoistic celebrating than actual careful and measured films on war. famously hated the movie that director Andrew Dominik turned in, and subsequently attempted to have different editors take a crack at the material to see if they could craft something more in line with the thriller or action angle they thought the title promised. My takeaways are: a lot of films nowadays purely record whats on the page and it leads to a leaden dialogue-driven nothing. I’m a big admirer of Kubrick’s films, and although I was tempted to pick others, The Shining really stands out with its steadicam shots, blocking, zooms and framing. It’s possible that The Assassination of Jesse James by the Coward Robert Ford is the best-looking movie ever made. I find the use of black and white photography, framing, and hard light in these films fascinating.
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